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GHOST STORIES (2018) MOVIE NEWS & REVIEW

Ghost-Stories-movie-2018-poster

ghost stories (2018) movie

Genre              |   Horror
Classification   |   M
Running time   |   98 minutes
Released         |   25 October 2018

cast

Andy Nyman ... Professor Goodman
Martin Freeman ... Mike Priddle
Paul Whitehouse ... Tony Matthews
Alex Lawther ... Simon Rifkind
​Paul Warren ... Woolly

director

​Andy Nyman & Jeremy Dixon

writer

Jeremy Dyson
Andy Nyman

cinematographer

​Ole Bratt Birkeland

music

​Haim Frank Ilfman

film editor

​Billy Sneddon

box office result

Worldwide               $? million
Australia                 $? million
North America        $? million

the best dialogue

Mike Priddle: You ever killed anything?
Professor Goodman: Certainly not.
Mike Priddle: Nothing you'll admit to, eh?
Charles Cameron: Things are not always as they seem.
Mike Priddle: It's funny, isn't it? How it's always the last key that unlocks everything.

GHOST STORIES (2018) MOVIE IMAGES

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GHOST STORIES (2018) STORY SYNOPSIS

​Professor Phillip Goodman devotes his life to exposing phony psychics and fraudulent supernatural shenanigans. His skepticism soon gets put to the test when he receives news of three chilling and inexplicable cases -- disturbing visions in an abandoned asylum, a car accident deep in the woods and the spirit of an unborn child. Even scarier -- each of the macabre stories seems to have a sinister connection to the professor's own life.

GHOST STORIES (2018) MOVIE REVIEW

​Reviewed by Mark Geraghty   |   Review date 25 October 2018
Pop Movee Rating
Picture

GHOST STORIES, the successful British play,  has been adapted into a feature film by its creators, British performer Andy Nyman and writer Jeremy Dyson. The film is chock full of interesting ideas, but the story threads rely upon a last-minute connection doesn’t translate as well on film as it does on stage, leaving the viewer with a finale that isn’t as powerful as Nyman & Dyson intended or hoped for. The reliance upon a “twist” ending robs the film of its narrative strength, diminishing the power of the stories told by the three characters whose tale respective tales are the film’s focus.

Andy Nyman reprises his role from the stage production, portraying academic sceptic, Dr. Phillip Goodman. Not only does Nyman play the central character of Dr. Phillip Goodman, he also co-writes and co-directs the film with his stage show co-creator Jeremy Dyson. Nyman’s desire to adapt his stage show into the purest version of a feature film is admirable, but it also limits GHOST STORIES because there’s no creative interpretation. It’s a more elaborate version of the stage show, with settings and sequences that make the play’s story visually more slightly more expansive but doesn’t  extend it beyond the themes and scenes of the play.

In the hands of a better or more experienced filmmaker, GHOST STORIES may have grown into something that possessed greater scope and ambition. Left to Nyman and Dyson, it relies upon its anthology structure with each of the three stories allocated almost an equal amount of time linked together by a common “Narrator” character; in this instance, Nyman’s sceptic Phillip Goodman. It’s a classic anthology approach, but it has limitations...

GHOST STORIES feels as though it’s a series of television episodes that have no connection, other than Goodman’s efforts to try and find a way to debunk them.

Only in the film’s final sequence do Nyman and Dyson make an effort to pull together disparate plot threads from the three different stories. However, the filmmakers don’t seem to have a lot of confidence that the viewer will comprehend what’s going on, so they draw the link between previous events and the film’s finale with such a heavy hand that it’s far too in-the-nose to convince the viewer that these “revelations” are nothing more than highly staged contrivances for the sake of their “twist” ending.

The promotion material for the play asked people not to spoil the twist, but, for those who know the Horror genre well, GHOST STORIES offers nothing new or unique.

Of comparative stories that come to mind, it’s hard not to think of A CHRISTMAS CAROL. Goodman is the surrogate for Scrooge and “Evil” is the guide through the three unconnected cases that he is challenged to investigate by fellow paranormal debunker, and Goodman hero, Charles Cameron.

The first of the cases Goodman investigates tells the tale of Night Watchman Tony Matthews (played by experienced character actor Paul Whitehouse), who works at a disused mental asylum. Matthews is a man in pain. His wife has died from cancer and his daughter suffers from “locked-in”, a condition that causes just about all the voluntary muscles in the body to freeze. Matthews has taken the Night Watchman job because he can’t sleep  but he doesn’t want to face the world either. His only company is a Russian, newly-employed to look after another one of the asylum’s disused buildings, who he communicates with via two-way radio.

The sequence milks a number of Horror tropes, including a radio that becomes possessed by distorted, paranormal voices, office lights that flicker on and off whenever a “presence” is near and the flashlight that runs out of battery power at a crucial point in the story. The sequence has some similarities to the 2016 David F. Sandberg film LIGHTS OUT, where the spectre makes its way closer to the victim with each successive blackout that occurs. The technique provides a couple of good jump-scares, but that’s about it. The “presence” that Tony Matthews encounters turns out to be not very frightening.

The second case starts well and there is a genuine sense of unease about what Goodman has become involved with when he meets Simon Rifkind (Alex Lawther), a peculiar young man who has a tale that is straight from Hell.

Goodman meets Rifkind at his home to discuss what happened to him one night when his car broke down in the English countryside. Nyman & Dyson do a really good job of creating unease where none really exists in the scenes staged within Rifkind’s parents home. Goodman is puzzled by Rifkind’s parents behaviour, standing side-by-side at the kitchen sink, their backs turned away from their son. There’s an unexplained fourth person in the house, but Rifkind insists that it’s just him and his parents. It becomes clear, as the young man recounts his story to Goodman, that whatever it was he hit with his father’s car one night had unexplained power and has continued to exercise its control over Simon and his family.

The final case Goodman investigates involves successful businessman Mike Priddle (Martin Freeman), whose tale is the saddest and most bizarre. The Priddles are expecting their first child, but something goes horribly wrong and his wife dies in childbirth. While maintaining a “stiff upper lip” throughout, Priddle is obviously in pain. He was not present at the child’s birth, opting, instead, to return home to work on a business deal. There’s an underlying regret, but Proddle struggles to allow his emotions to dictate his response.

The sequence where Priddle makes his way to his baby’s room is one of the most effective in GHOST STORIES, giving the viewer a different perspective on the “Haunted House” trope. Where most filmmakers utilise the ramshackle, creaking floorboard 18th Century mansion, Nyman & Dyson choose to make Priddle’s home ultra modern, stripping it of the potential to become a cliche. It makes for an interesting change and, if as much thought had gone into the rest of the film as this sequence, GHOST STORIES may have been more than the sum of its parts.

As the story moves beyond the Priddle case, GHOST STORIES becomes much more focussed on Goodman and his connection to the cases he’s investigated.

This is where the film begins to fall apart…

The film’s final twenty minutes undo whatever effectiveness Nyman & Dyson have managed to build in presenting the three cases. The “twist” device used by the filmmakers is the least effective one available to them because it calls into question everything that has preceded the “twist” itself. Think of some great cinematic story twists from the last 20 years… They all add to the narrative or plot in a meaningful way… THE SIXTH SENSE, THE USUAL SUSPECTS, THE OTHERS… They make the viewer reassess their interpretation of the story. GHOST STORIES does not challenge the viewer in the same manner.

The Verdict

There’s a pervading sense of inexperience on display in GHOST STORIES.

Neither Andy Nyman nor Jeremy Dixon are experienced filmmakers.

Casting is one area the filmmakers demonstrate both their inexperience and along with an inability to transcend their material for the sake of delivering a feature film that moves beyond the boundaries of the play. The supporting performers are more than adequate in their roles, but the decision to allow Nyman to take the film’s central role is a mistake. It seems as though Nyman was so keen to protect his work that he couldn’t imagine anyone other than himself playing Goodman.

GHOST STORIES is also hampered by the limited scale of its visual ambition.

The film’s cinematography feels very flat and a decision to use natural lighting sources make it difficult to make out what is going on in many scenes. While this adds to the mystery of what is happening, the lack of visual clarity at important moments leave too much to the viewer’s interpretation. The film looks like a big-budget television show (not a feature film) and it’s no surprise that Cinematographer Ole Bratt Birkeland has an extensive background in television production.

The film’s mise-en-scene may have felt like a vast improvement over the limited scope of the stage, but GHOST STORIES is being presented as a feature film, not a television show.

GHOST STORIES is effective in parts, but fails to deliver consistent high quality tension, scares and mystery to keep the viewer hooked for its 98 minute running time. In the hands of a different, experienced production team, the film may have been able to build toward its “twist” ending, delivering a genuine “shock” moment for the viewer. As it turns out, the Nyman & Dyson’s GHOST STORIES struggles to scare off the genre’s tropes, cliches and contrivance. Coupled with a lack of ambition, it’s a frightening way to kill a couple of hours, but not in the way its makers may hoped.

GHOST STORIES (2018) USEFUL LINKS

Ghost Stories (film) - Wikipedia
​
Ghost Stories (2017) - IMDb
​
Ghost Stories (2018) - Rotten Tomatoes​

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      • The Matrix Resurrections (2021)
      • The Suicide Squad (2021)
  • Movie Database
    • Movie Reviews - 1970-1979 >
      • Movie Reviews - 1970
      • Movie Reviews - 1971 >
        • THX 1138 (1971)
      • Movie Reviews - 1972 >
        • Solaris (1972)
      • Movie Reviews - 1973 >
        • Don't Look Now (1973)
      • Movie Reviews - 1974 >
        • The Texas Chainsaw Massacre (1974)
      • Movie Reviews - 1975
      • Movie Reviews - 1976
      • Movie Reviews - 1977 >
        • Star Wars: A New Hope (1977)
      • Movie Reviews - 1978
      • Movie Reviews - 1979 >
        • Alien (1979)
        • Star Trek: The Motion Picture (1979)
    • Movie Reviews - 1980-1989 >
      • Movie Reviews - 1980 >
        • Flash Gordon (1980)
        • Star Wars: The Empire Strikes Back (1980)
        • The Shining (1980)
      • Movie Reviews - 1981 >
        • Escape From New York (1981)
        • Outland (1981)
        • Raiders of the Lost Ark (1981)
      • Movie Reviews - 1982 >
        • Conan The Barbarian (1982)
        • Poltergeist (1982)
        • Blade Runner (1982)
        • Star Trek II: The Wrath of Khan (1982)
      • Movie Reviews - 1983 >
        • Star Wars: Return of the Jedi (1983)
        • The Keep (1983)
      • Movie Reviews - 1984 >
        • A Nightmare on Elm Street (1984)
        • Indiana Jones and The Temple of Doom (1984)
        • Star Trek III: The Search For Spock (1984)
        • The Terminator (1984)
      • Movie Reviews - 1985 >
        • A Nightmare on Elm Street Part 2: Freddy's Revenge (1985)
        • Back to the Future (1985)
      • Movie Reviews - 1986 >
        • Aliens (1986)
        • Big Trouble in Little China (1986)
        • Star Trek IV: The Voyage Home (1986)
      • Movie Reviews - 1987 >
        • Angel Heart (1987)
        • Predator (1987)
        • Robocop (1987)
        • The Running Man (1987)
      • Movie Reviews - 1988 >
        • Red Heat (1988)
      • Movie Reviews - 1989 >
        • Batman (1989)
        • Indiana Jones and The Last Crusade (1989)
        • Star Trek V: The Final Frontier (1989)
    • Movie Reviews - 1990-1999 >
      • Movie Reviews - 1990 >
        • Total Recall (1990)
      • Movie Reviews - 1991 >
        • Terminator 2: Judgement Day (1991)
        • Star Trek VI: The Undiscovered Country (1991)
      • Movie Reviews - 1992 >
        • Batman Returns (1992)
        • Reservoir Dogs (1992)
        • Split Second (1992)
      • Movie Reviews - 1993
      • Movie Reviews - 1994 >
        • Star Trek: Generations (1994)
      • Movie Reviews - 1995
      • Movie Reviews - 1996 >
        • Star Trek: First Contact (1996)
      • Movie Reviews - 1997 >
        • Alien: Resurrection (1997)
      • Movie Reviews - 1998 >
        • Star Trek: Insurrection (1998)
      • Movie Reviews - 1999 >
        • Star Wars: Episode One - The Phantom Menace (1999)
        • The Matrix (1999)
    • Movie Reviews - 2010 >
      • Iron Man 2 (2010)
    • Movie Reviews - 2011 >
      • Captain America: The First Avenger (2011)
      • Thor (2011)
      • X-Men: First Class (2011)
    • Movie Reviews - 2012 >
      • The Avengers (2012)
      • The Dark Knight Rises (2012)
    • Movie Reviews - 2013 >
      • Ender's Game (2013)
      • Gravity (2013)
      • Iron Man 3 (2013)
      • Man of Steel (2013)
      • Pacific Rim (2013)
      • Star Trek Into Darkness (2013)
      • The Conjuring (2013)
      • World War Z (2013)
    • Movie Reviews - 2014 >
      • Annabelle (2014)
      • Captain America: The Winter Soldier (2014)
      • Dawn of the Planet of the Apes (2014)
      • Dracula Untold (2014)
      • Edge of Tomorrow (2014)
      • Exodus: Gods and Kings (2014)
      • Godzilla (2014)
      • Hercules (2014)
      • Interstellar (2014)
      • Jack Ryan: Shadow Recruit (2014)
      • Jinn (2014)
      • John Wick (2014)
      • Robocop (2014)
      • Sin City: A Dame to Kill For (2014)
      • The Amazing Spider-Man 2: Rise of Electro (2014)
      • The Equalizer (2014)
      • The Giver (2014)
      • The Maze Runner (2014)
      • These Final Hours (2014)
      • Transformers: Age of Extinction (2014)
      • X-Men: Days of Future Past (2014)
    • Movie Reviews - 2015 >
      • Ant-Man (2015)
      • Avengers: Age of Ultron (2015)
      • Bridge of Spies (2015)
      • Chappie (2015)
      • Crimson Peak (2015)
      • Ex Machina (2015)
      • Fantastic Four (2015)
      • Furious 7 (2015)
      • Hitman: Agent 47 (2015)
      • Infini (2015)
      • Insurgent (2015)
      • Jupiter Ascending (2015)
      • Jurassic World (2015)
      • Kingsman: The Secret Service (2015)
      • Legend (2015)
      • Mad Max: Fury Road (2015)
      • Maze Runner: The Scorch Trials (2015)
      • Mission: Impossible - Rogue Nation (2015)
      • Monsters: Dark Continent (2015)
      • Pan (2015)
      • Paranormal Activity: The Ghost Dimension (2015)
      • Project Almanac (2015)
      • San Andreas (2015)
      • Scouts Guide to the Zombie Apocalypse (2015)
      • Self/less (2015)
      • Seventh Son (2015)
      • Sicario (2015)
      • Spectre - James Bond 24 (2015)
      • Star Wars: The Force Awakens (2015)
      • Taken 3 (2015)
      • Terminator: Genisys (2015)
      • The Gallows (2015)
      • The Good Dinosaur (2015)
      • The Gunman (2015)
      • The Hunger Games: Mockingjay - Part 2 (2015)
      • The Last Witch Hunter (2015)
      • The Man from U.N.C.L.E. (2015)
      • The Martian (2015)
      • The Revenant (2015)
      • The Transporter Refueled (2015)
      • The Vatican Tapes (2015)
      • The Visit (2015)
      • Tomorrowland (2015)
      • Unfriended (2015)
      • Victor Frankenstein (2015)
    • Movie Reviews - 2016 >
      • 10 Cloverfield Lane (2016)
      • 13 Hours: The Secret Soldiers of Benghazi (2016)
      • Alice Through the Looking Glass (2016)
      • Allegiant (2016)
      • Arrival (2016)
      • Bastille Day (2016)
      • Batman v Superman: Dawn of Justice (2016)
      • Ben-Hur (2016)
      • Blair Witch (2016)
      • Captain America: Civil War (2016)
      • Criminal (2016)
      • Deadpool (2016)
      • Doctor Strange (2016)
      • Don't Breathe (2016)
      • Eye In The Sky (2016)
      • Fantastic Beasts and Where to Find Them (2016)
      • Ghostbusters (2016)
      • Gods of Egypt (2016)
      • Goosebumps (2016)
      • Hardcore Henry (2016)
      • Independence Day: Resurgence (2016)
      • Inferno (2016)
      • Jack Reacher: Never Go Back (2016)
      • Jason Bourne (2016)
      • Lights Out (2016)
      • London Has Fallen (2016)
      • Mechanic: Resurrection (2016)
      • Midnight Special (2016)
      • Miss Peregrine's Home for Peculiar Children (2016)
      • Money Monster (2016)
      • Morgan (2016)
      • Nerve (2016)
      • Observance (2016)
      • Ouija: Origin of Evil (2016)
      • Pete's Dragon (2016)
      • Point Break (2016)
      • Pride and Prejudice and Zombies (2016)
      • Rogue One: A Star Wars Story (2016)
      • Scare Campaign (2016)
      • Star Trek Beyond (2016)
      • Suicide Squad (2016)
      • Teenage Mutant Ninja Turtles: Out of the Shadows (2016)
      • The Autopsy of Jane Doe (2016)
      • The BFG (2016)
      • The Conjuring 2 (2016)
      • The Fifth Wave (2016)
      • The Forest (2016)
      • The Hateful Eight (2016)
      • The Huntsman: Winter's War (2016)
      • The Jungle Book (2016)
      • The Legend of Tarzan (2016)
      • The Magnificent Seven (2016)
      • The Purge: Election Year (2016)
      • The Shallows (2016)
      • Triple 9 (2016)
      • Underworld: Blood Wars (2016)
      • Warcraft: The Beginning (2016)
      • X-Men: Apocalypse (2016)
    • Movie Reviews - 2017 >
      • A Cure For Wellness (2017)
      • A Ghost Story (2017)
      • Alien: Covenant (2017)
      • American Assassin (2017)
      • American Made (2017)
      • A Monster Calls (2017)
      • Annabelle: Creation (2017)
      • Assassin's Creed (2017)
      • Atomic Blonde (2017)
      • Baby Driver (2017)
      • Beauty and The Beast (2017)
      • Berlin Syndrome (2017)
      • Better Watch Out (2017)
      • Blade of the Immortal (2017)
      • Blade Runner 2049 (2017)
      • Coco (2017)
      • Colossal (2017)
      • Flatliners (2017)
      • Free Fire (2017)
      • Geostorm (2017)
      • Get Out (2017)
      • Ghost In The Shell (2017)
      • Guardians of the Galaxy Vol.2 (2017)
      • Happy Death Day (2017)
      • It (2017)
      • It Comes At Night (2017)
      • John Wick: Chapter 2 (2017)
      • Jumanji: Welcome to the Jungle (2017)
      • Justice League (2017)
      • King Arthur: Legend of the Sword (2017)
      • Kingsman: The Golden Circle (2017)
      • Kong: Skull Island (2017)
      • Life (2017)
      • Logan (2017)
      • Mother! (2017)
      • Murder on the Orient Express (2017)
      • Passengers (2017)
      • Pirates of the Caribbean: Dead Men Tell No Tales (2017)
      • Power Rangers (2017)
      • Resident Evil: The Final Chapter (2017)
      • Rings (2017)
      • Spider-Man: Homecoming (2017)
      • Split (2017)
      • Star Wars: The Last Jedi (2017)
      • Terminator 2: Judgement Day 3D (2017)
      • The Circle (2017)
      • The Dark Tower (2017)
      • The Fate of the Furious (2017)
      • The Greatest Showman (2017)
      • The Great Wall (2017)
      • The Killing of a Sacred Deer (2017)
      • The Mummy (2017)
      • The Snowman (2017)
      • The Space Between Us (2017)
      • The Wall (2017)
      • Thor: Ragnarok (2017)
      • Transformers: The Last Knight (2017)
      • War for the Planet of the Apes (2017)
      • Wind River (2017)
      • Wonder Woman (2017)
      • Valerian and the City of a Thousand Planets (2017)
      • xXx Return of Xander Cage (2017)
    • Movie Reviews - 2018 >
      • 2:22 (2018)
      • Alpha (2018)
      • Annihilation (2018)
      • Ant-Man and the Wasp (2018)
      • Aquaman (2018)
      • A Quiet Place (2018)
      • Avengers: Infinity War (2018)
      • A Wrinkle in Time (2018)
      • Bad Times At The El Royale (2018)
      • Black Panther (2018)
      • Blumhouse's Truth or Dare (2018)
      • Bumblebee (2018)
      • Deadpool 2 (2018)
      • Den of Thieves (2018)
      • Fantastic Beasts: The Crimes of Grindelwald (2018)
      • Game Night (2018)
      • Ghost Stories (2018)
      • Goosebumps 2: Haunted Halloween (2018)
      • Gringo (2018)
      • Halloween (2018)
      • Hotel Transylvania 3 (2018)
      • Hunter Killer (2018)
      • Incredibles 2 (2018)
      • Insidious: The Last Key (2018)
      • Jurassic World: Fallen Kingdom (2018)
      • Maze Runner: The Death Cure (2018)
      • Mile 22 (2018)
      • Mission: Impossible - Fallout (2018)
      • Mortal Engines (2018)
      • Mute (2017)
      • Pacific Rim Uprising (2018)
      • Pitch Perfect 3 (2018)
      • Proud Mary (2018)
      • Rampage (2018)
      • Ready Player One (2018)
      • Red Sparrow (2018)
      • Robin Hood (2018)
      • Searching (2018)
      • Sicario: Day of the Soldado (2018)
      • Skyscraper (2018)
      • Slender Man (2018)
      • Solo: A Star Wars Story (2018)
      • Spider-Man: Into the Spider-Verse (2018)
      • Suspiria (2018)
      • The 15:17 to Paris (2018)
      • The Cloverfield Paradox (2018)
      • The Commuter (2018)
      • The Darkest Minds (2018)
      • The Endless (2018)
      • The Equalizer 2 (2018)
      • The First Purge (2018)
      • The Gateway (2018)
      • The Girl In The Spider's Web (2018)
      • The Happytime Murders (2018)
      • The House With A Clock In Its Walls (2018)
      • The Meg (2018)
      • The Nun (2018)
      • The Nutcracker and the Four Realms (2018)
      • The Predator (2018)
      • The Shape of Water (2018)
      • Tomb Raider (2018)
      • Unfriended: Dark Web (2018)
      • Unsane (2018)
      • Upgrade (2018)
      • Venom (2018)
      • Winchester: The House That Ghosts Built (2018)
    • Movie Reviews - 2019 >
      • Ad Astra (2019)
      • Aladdin (2019)
      • Alita: Battle Angel (2019)
      • Angel Has Fallen (2019)
      • Annabelle Comes Home (2019)
      • Avengers: Endgame (2019)
      • Black Christmas (2019)
      • Brightburn (2019)
      • Captain Marvel (2019)
      • Cats (2019)
      • Charlie's Angels (2019)
      • Child's Play (2019)
      • Cold Pursuit (2019)
      • Doctor Sleep (2019)
      • Dumbo (2019)
      • Freaks (2019)
      • Frozen II (2019)
      • Gemini Man (2019)
      • Glass (2019)
      • Godzilla: King of the Monsters (2019)
      • Greta (2019)
      • Happy Death Day 2 U (2019)
      • Hellboy (2019)
      • Hobbs & Shaw (2019)
      • It: Chapter Two (2019)
      • John Wick: Chapter 3 - Parabellum (2019)
      • Joker (2019)
      • Jumanji: The Next Level (2019)
      • Knives Out (2019)
      • Ma (2019)
      • Maleficent: Mistress of Evil (2019)
      • Men In Black: International (2019)
      • Midsommar (2019)
      • Once Upon a Time in Hollywood (2019)
      • Pet Sematary (2019)
      • Rambo: Last Blood (2019)
      • Ready Or Not (2019)
      • Scary Stories to Tell in the Dark (2019)
      • Shazam! (2019)
      • Spider-Man: Far From Home (2019)
      • Star Wars: The Rise of Skywalker (2019)
      • Terminator: Dark Fate (2019)
      • The Addams Family (2019)
      • The Curse of the Weeping Woman (2019)
      • The Dead Don't Die (2019)
      • The Kid Who Would Be King (2019)
      • The Kitchen (2019)
      • The Lego Movie: The Second Part (2019)
      • The Lion King (2019)
      • The Mule (2019)
      • Toy Story 4 (2019)
      • Us (2019)
      • X-Men: Dark Phoenix (2019)
      • Zombieland: Double Tap (2019)
    • Movie Reviews - 2020 >
      • 1917 (2020)
      • Artemis Fowl (2020)
      • Bad Boys For Life (2020)
      • Birds of Prey: And the Fantabulous Emanicipation of One Harley Quinn (2020)
      • Bloodshot (2020)
      • Dolittle (2020)
      • Fantasy Island (2020)
      • Midway (2020)
      • Mulan (2020)
      • Onward (2020)
      • Spies In Disguise (2020)
      • Tenet (2020)
      • The Call of the Wild (2020)
      • The Grudge (2020)
      • The Invisible Man (2020)
      • The Lighthouse (2020)
      • The Lodge (2020)
      • The New Mutants (2020)
      • The Rhythm Section (2020)
      • The Woman In The Window (2020)
      • Underwater (2020)
      • Wonder Woman 1984 (2020)
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